The Jay Estate in Rye was home to one of our nation's greatest peacemakers, John Jay...
...and today, it is YOUR park
Our nonprofit, the Jay Heritage Center (JHC) is dedicated to transforming the 23-acre Jay Estate into a vibrant educational campus, hosting innovative and inclusive programs about American History, Historic Preservation, Social Justice, and Environmental Stewardship.
November 10 at 3pm
Revelations in the Gardens
The extraordinary sculptures in Rich Soil by Kristine Mays, currently on view at the Jay Estate Gardens, were originally inspired by Alvin Ailey’s modern ballet Revelations, a “masterpiece [that] gave choreographic expression to physical labor on plantations and the spiritual work of the Baptist church.” For the first time, see these life-scaled figures interpreted through movement by two professional dancers coming from the Alvin Ailey School. This pop-up cultural event is free and open to the public.
Amina Konaté is from La Rochelle, France, where she began dancing at the age of five, studying at the Conservatoire of Music and Dance of La Rochelle. After graduating high school in 2019, Amina joined the Rudra Béjart School, in Switzerland. Two years later, she moved to New York City, attending The Ailey School. Amina has danced in Philadelphia as a Philadanco 2 (D/2) member as well as in New York with Jamel Gaines Creative Outlet and the Borne dance company. She has also danced with TORCH Dance Theatre and CRDance Company, Felice Lesser Dance Theatre, Yaa!Samar Dance Theatre, Linda Diamond & Company, and Mason Lee Dance Theater.
Rayan Lecurieux-Durival is from French Guyana. He trained at the Conservatoire de Guyane EPCC, among others before relocating to Paris in 2016 where he joined the Institut de Formation Rick Odums. Not long after, Rayan was accepted at The Ailey School in New York as a scholarship holder. He has worked with Christopher Huggins, Bill T Jones, Jennifer Muller, Jamel Gaines, Francesca Harper, Norbert De la Cruz III. He has also performed with Alvin Ailey American Dance Theater (as a student), Jamel Gaines Creative Outlet, Parsons Dance, Collage Dance Collective, Buglisi Dance Theatre, Ruddur Dance, Ballet Ashani, Opus Dance theater and Jennifer Mullet/The Works.
November 17 at 3pm
40 Years of Climate Change - A Conversation with Andrew Revkin
Meet Andrew Revkin, one of America’s most honored, experienced and innovative journalists. He will will talk about how we can get beyond amorphous labels like sustainability and climate emergency by asking questions, starting with, “Sustain what?” He has written on global environmental change and risk for more than 40 years, reporting from the North Pole to the White House, the Amazon rain forest to the Vatican – mostly for The New York Times. Revkin was a staff reporter at The Times from 1995 through 2009, covering issues ranging from threats to New York City’s water supply to the devastating Indian Ocean tsunami and, of course, climate science and policy. In the mid 2000s, he exclusively exposed political suppression of climate findings at NASA and editing of federal climate reports by political appointees with ties to the petroleum industry. He made three Arctic reporting trips and was the first Times reporter to file stories, video and photos from the sea ice around the North Pole.
He has long been credited with pushing media frontiers, particularly in pursuit of constructive engagement amid polarized and oversimplified online news flows and discourse. His New York Times blog, Dot Earth, which he launched as a news reporter and continued as an Opinion column, was lauded by the Columbia Journalism Review as “incredibly successful at encouraging copious, high-quality commenting and debate.”
Revkin has won the top awards in science journalism multiple times, along with a Guggenheim Fellowship and Investigative Reporters & Editors Award. He has written books on the dawn of the Anthropocene, the history of humanity’s relationship with weather, the changing Arctic, global warming and the assault on the Amazon rain forest, as well as three book chapters on science communication.
The talk and reception are FREE but registration is required. REGISTER HERE
FREE Exhibit Open Through November 17
Rich Soil by Kristine Mays
Thank you to NY State Parks for their spotlight on Rich Soil by fine art sculptor Kristine Mays on view now in the Jay Estate Gardens. READ BLOG HERE. Mays breathes life into wire as she creates human forms that dance, grieve, hope and pray. Her figures help us resurrect the narratives of the women and men whose strength, resilience and measurable contributions to our landscape have often been forgotten. As a member site of New York State’s Path Through History for Civil Rights and Westchester County’s African American Heritage Trail, the Jay Estate is a compelling venue for contemplating our shared American heritage while viewing these ethereal silhouettes. Cosponsored by the American Women of African Heritage and the Friends of the African American Cemetery. See more photos by Kim Crichlow here in NY Social Diary – scroll down.
Land Acknowledgement
It is with gratitude and humility that we acknowledge that we are learning, speaking and gathering on the land of the Wiechquaesgeck (WE-QUEES-GECK), a subdivision of the Munsee people. The Munsee can be identified as speakers of Munsee, a dialect of the Lenape language. Today, the Munsee language is considered critically endangered, only spoken by a handful of elders on the Moraviantown Reserve in Ontario, Canada, each speaker over the age of 70. Lenape, or Leni Lenape was a name prescribed to them by colonists, rather than a label of initial self identification.
The Wiechquaesgeck were the historic owners of Rye, Harrison, and large parts of Westchester County, as they lived between the Hudson and Long Island Sound. Modern nations like the Stockbridge-Munsee, the Delaware Tribe of Indians, and the Delaware Nation trace their ancestry to the Munsee tribes, and continue to keep their history alive. We pay honor and respect to their ancestors past and present as we commit to building a more inclusive and equitable space for all. In the coming years, we plan to reintroduce species of fauna and flora indigenous to the Wiechquaesgeck into our gardens as a way to promote greater respect and understanding of their culture.
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